“I’d actually seen a painting by an artist named Kirby Sattler, and looked at the face of this warrior and thought: That’s it. The stripes down the face and across the eyes … it seemed to me like you could almost see the separate sections of the individual, if you know what I mean. There’s this very wise quarter, a very tortured and hurt section, and angry and rageful section, and a very understanding and unique side. I saw these parts, almost like dissecting a brain, these slivers of the individual,” he said.”That makeup inspired me.”
“It just so happened Sattler had painted a bird flying directly behind the warrior’s head. It looked to me like it was sitting on top. I thought: Tonto’s got a bird on his head. It’s his spirit guide in a way. It’s dead to others, but it’s not dead to him. It’s very much alive.”
“The portraits I paint are composites created from a variety of visual references coupled with my imagination. While being broadly based in a historical context, my paintings are not intended to be viewed as historically accurate.
