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« on: September 04, 2026, 10:15:08 am »
Blue Steel (1934) - Meh. The first 10 minutes felt like it was setting up a chamber piece that seemed like it could have been interesting, but it went in such a boring and predictable direction.
Motor City - I admire the swing, even if it only clipped the ball. The big action climax is pretty rad, but it comes too little too late.
The Best Little Whorehouse in Texas - Well, I just absolutely loved this. My opinion might be slightly tinged by seeing it on the big screen so soon after Dolly's passing (I definitely got emotional when she sang 'I Will Always Love You'), but it just an absolutely charming musical that is wildly ahead of its time while also feeling like downright old-fashioned from an overall production standpoint. It does wrap up kinda quickly, but as a whole package it is wonderful.
Mutiny - Statham seems a little more disengaged than usual, but the plot is fine, action is fine, it's 95 minutes. Great villain death.
Stowaway would probably be more accurate, but it doesn't sound as cool.
tony - Loved this. Loved that they didn't sand the edges of Bourdain. He's such a asshole. Other modern biopics are so lionizing. It reminded me of All That Jazz in that way. It's funny, it's heartfelt, and it has Antonio Banderas's best performance in years... maybe ever?
Maybe my favorite of the year, but with one big caveat. I hate that they felt the need to Hollywood-ize the ending with a big dramatic event. If it had a more low key climax this would be 5 stars.
The Blue Caftan - Wonderfully tender exploration of love, death, and new beginnings via a pretty specific relationship dynamic I have never seen before.
Murder, She Wrote: South by Southwest - Appropriately increased stakes from the show and an interesting Hitchcockian premise with lots of red herrings. I think the increased runtime doesn't quite work here, though, as it let's you marinate in the clues and mysteries longer, which has the side effect of making it all feel kinda obvious.